Faces Are Motion, Which Is Why All The Photos Of You Are Bad Even The Most Natural Looking Portrait Is A Sentence Interrupted, One Note Of An Aria, Held Though Faces Themselves Hide A Deeper Motion You Seem To Sit There And Meet My Eyes Across The Table, But You Are So Many Other Places, Clinging Here For A Moment Against All The Currents That Will Soon Sweep You Onward We Are So Moved By The Faces Caught In The Windows Of Trains Going The Other Way Because They Tell Us How All Faces Really AreJames Richardson Is The Author Of Six Books Of Poetry And Two Critical Studies His Poems Appear Frequently In The New Yorker, Slate, And Paris Review He Is A Professor Of English And Creative Writing At Princeton University
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- 111 pages
- By the Numbers
- James Richardson
- 15 October 2019 James Richardson